Monday, January 21, 2008

Post exams, pre lectures..



Woop. Finished my last exam on friday and since then have; drunk too much, wasted a day away being hungover, noticed that Aberystwyth has moved itself into a cloud, been climbing, eaten crumpets, and made postcards with far too many spelling mistakes in them for an English student.

Music wise 2008 has been bountiful, with the loan bringing the bank account into the plus figures it has resulted in me gaining far too many albums for me to type them all out (very much helped by a lovely housemate of mine :) However, I feel these definitely deserve a mention because they are just SO GOOD.

1)
Erol Alkan - Bugged Out/ Bugged In mix
2)
French Touch Anthology
3)
Shy Child - Noise Won't Stop
4)
Chromeo - Fancy Footwork

In regards to the French Touch Anthology, you most definitely get your money's worth - 4 discs costing around the same as a normal album. Currently I'm enjoying the second cd the most entitled The French Lounge however it has resulted in me daydreaming off into a world of black and white french films, where I get swept off my feet by a tall, dark, handsome french man... *sigh*

Anyhows, there are plenty of very cherry popping, heart meltingly good, bass lined beats to drag me back into the present day. Most noticably the noise is coming from those Italian boys;
Crookers, Boy 8-Bit remixes and the Herve/ Sinden/ Switch lot.

To give you a little teaser, here is one of my favourites, and my aim of the next month or so? To get this played out in Aberystwyth, where it'll catch more than just myself hook, line and sinker...

Lethal Bizzle - Selfridges Girl Not On Myspace (Boy 8-Bit remix)

Enjoy!

x E x

Wednesday, January 09, 2008

A brief history of the twentieth century.

It is amazing to what levels I am willing to procrastinate in order to avoid doing any revision for my exam next week. Of course, there is far too much on the internet designed to help divert my attentions. One of my favourite past-times is to read up on little tidbits of history on wikipedia. Sad, I know, but I've always had a love of history, and it's pretty interesting stuff, honest!


One of my favourite things to do is combine this "hobby" with music, as in, find out what it is that so-and-so band are singing about. Now, there are only a couple of groups I have come across who do this to quite an extent, one of which I have never really given much time of day until earlier, when I heard they were releasing their third full-length. British Sea Power, Brightons's eccentric quartet, release Do You Like Rock Music? on January 14th, and from what I have heard of it so far, it sounds like a rather amazing record. Several years ago my good friend Robert lent me their debut, The Decline of British Sea Power, which I never got around to listening to, and until this very moment is still sat on my shelves back at home. God knows why I never gave it a spin, for they had so much going in their favour of me liking them: for example, their rather interesting stage shows which included dragging in folliage, stuffed birds, and a 10ft bear which the group would shoo of stage. Then theres the name, harking back to a nostalgic time in history when Britania ruled the waves. If that wasn't enough, they used history in their songs! Awesome! I feel stupid for never giving them a chance, but I can honestly say after hearing the majority of DYLRM? I am pretty much a fully fleged convert. They remind me a lot of Hope of the States, who split up some time ago, but released two brilliant records during their career, both of which take great influence from the past. My picks of the pack would be 'Canvey Island', a song about the flooding that hit the island in 1953 and left 58 dead (you can read more about it on wikipedia). Seriously, the song sounds massive, and clearly the band's answer to the question posed in the album title is a resounding "yes!" In 'No Lucifer' the assault continues, a track which sounds heavily influenced by Arcade Fire (ex-Arcade Fire drummer, Howard Bilerman was a contributor to the record), but none the less spectacular, with singer Yan informing the listener they "...can always just say no to the anti-aircraft crew, the boys in the Hitler-Youth".
British Sea Power's new record, Do You Like Rock Music?, is released on January 14th through Rough Trade, and can be pre-ordered here.




This neatly leads me on to my favourite band of last year, and one of my albums of the year, in the form of iLiKETRAiNS. The Leeds . The term 'library rock' has been banded around the group quite a bit, and this is a fair description of their blend of post-rock and wry, intelligent lyrics, which explore a whole host of topics from the ill-fated journey of Scott to the Antarctic in 1912 ('Terra Nova'), the great fire of London ('25 Sins') and the black death ('We All Fall Down'), the Salem witch trials ('We Go Hunting'), and a protest song at the results of Dr Richard Beeching's 1960s report into the railways, which reulted in the closure of many branch lines and the loss of thousands of jobs ('The Beeching Report'). As you can imagine, it's not your conventional topics of songwriting when in comparison with the majority of bands in the indie charts. But then again, that's what makes iLiKETRAiNS so special. In October they released their debut full-length, Elegies To Lessons Learnt, on Beggars Banquet, which is easily the most macabre and bleak album of the 2007: if it's happy-go-lucky indie-by-numbers you are after it's probably best to keep clear, but if you want to think about what you are listening to, and get a history lesson in the process then they could be the band for you.

And on the subject of wikipedia hunting, iLiKETRAiNS saved most of that bother by providing a "text book" with the album which gives information on the subjects they portray in their music. If only the history curiculum in schools was taught by iLiKETRAiNS!

iLiKETRAiNS's debut album is available now from Beggars Banquet, and can be ordered here, whilst their next single is released on vinyl/download only in February.

mp3: iLiKETRAiNS - Terra Nova (taken from Progress Reform, 2006)

Sunday, January 06, 2008

Happy 2008 - Here is some sound.

I've been far too lazy this Christmas. A perfect chance for me to get back into the swing of blogging is squandered, with my time going into playing Wii until the early hours. Never mind, eh?


To make up for my absense I thought I'd put up a jumbo post of some of the stuff I'm liking at this current moment in time. Firstly, Okioki. Another amazing Aussie band, the Nintendo-friendly three piece from Perth have already played gigs with Hot Chip and Yuksek down under. Their myspace is a little vague with information, but they are worth a listen. Imagine playing guitar along to your gameboy and you are part of the way to working out how they sound. If you are expecting the art noise mess that Crystal Castles get out of nanoloop-ing and 8-bit sampling you may be a bit dissapointed, but if you're looking for a nostalgic gaming sound that could soundtrack games of the future, then this could be the hit your after.

Next up, thanks to a heads-up from
Gohan, his remix of fellow Parisians Thieves Like Us's 'Drugs In My Body'. This has become a personal fave of mine, and has been given quite a lot of playtime over in my media player. Thieves Like Us, signed over at Kitsune, ran a remix competition for the track towards the end of last year, spawning many a mix. Yet, out of the mixes I've heard of 'Drugs...' this is probably one of my faves. Tiny keys, synthesized choral line... simply love it. I've been watching over Gohan's stuff for awhile now, and if you haven't checked out his tracks over on his myspace, do so now! Thieves Like Us have UK tour dates in February, check their myspace for more information.



For our third sitting we have CHAINGANG. Flaming hell, Australia keeps throwing up some pretty awesome groups, this foursome hailing from Sydney. The email these guys sent me said a lot about the band all being from other bands, and having come together to create this slab of angry noize-rock. I haven't got an idea who the bands they used to play for were, but it seems that the line-up they are currently holding is pretty damn tight. Pulsing drums, dirty bass and heavy guitars, and with a distinctive punk attitude, encapsulated in front-woman Hayley's urgent vocals.